Revitalisasi Pusat Kebudayaan dan Pertunjukan Seni Tradisional di Kabupaten Purworejo dengan Pendekatan Desain Infill

Authors

  • Caesar Corima Krisna Suci Arsitektur, Universitas Widya Mataram, KT III/237, Jalan Dalem Mangkubumen, Kadipaten, Yogayakarta, DIY 55132
  • Desy Arsitektur, Universitas Widya Mataram, KT III/237, Jalan Dalem Mangkubumen, Kadipaten, Yogayakarta, DIY 55132

DOI:

https://doi.org/10.37631/pendapa.v6i2.881

Abstract

The need to revive ancestral traditions in Purworejo district which many people in
Purworejo have not known for a long time. The existence of a government work
program to welcome the existence of the Tosan Aji Museum by building an Art
Center is considered not to accommodate all traditional culture in Purworejo. The
absence of a forum for intangible culture in Purworejo district is a major problem.
The second problem is that dance studios do not have private practice areas, so
only the home of the founder or the head of the studio serves as a place to place
equipment, clothes and offices. Usually the dancers of each studio take turns to
practice once a week at the district pavilion. Another reason is that the Dolalak
dance, which is used as tourism branding for Purworejo Regency, has received a
little less attention regarding its facilities. By studying the function and outer
spatial circulation of the Cultural and Performance Center building in general, the
condition of the Purworejo district and its traditional culture along with the
architectural background of the existing building which is a cultural heritage
building from colonial heritage. So using the Infill design approach will answer the
problem from a design perspective. The facilities needed to answer the above
problems are by designing the supporting mass layout of the performance space,
namely the backstage building, dance studio, studio management office, and other
public facilities such as control rooms, lobbies, merchandise, and convenience
stores.

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Published

2023-12-07